Anthony Benjamin is regarded as a talented polymath; a painter, sculptor and printmaker. Having studied in Paris under Fernand Léger, Benjamin came to St Ives in the late 1950s as a rebellious young artist.
With a career spanning over five decades, Benjamin was known for his bold, colourful compositions and his exploration of dynamic forms, which pushed the boundaries of traditional art. His work was influenced by a wide range of styles, from surrealism to geometric abstraction, but his distinctive approach remained rooted in the idea of balance and harmony.
Using a small legacy, he purchased a cottage which previously belonged to Sven Berlin. Here, he found encouragement from the likes of Peter Lanyon, accepting his suggestion to join the Newlyn Society of Artists.
Though Benjamin worked across various mediums, including painting, sculpture, and prints, his most memorable pieces are characterised by complex geometric shapes, interwoven forms, and an expressive use of space. His work reflects a dialogue between the rational and the emotional, inviting viewers to engage with both the structured elements of his compositions and the fluidity of his colour and texture.
Widely respected by peers and critics alike, Benjamin’s work was exhibited in major galleries across Europe and North America. He had his first one-man exhibition there in 1958. His work developed rapidly here, and he was apparently well supported and encouraged by significant figures in the art world, including Henry Moore and Francis Bacon who gave him canvases. Though his life was marked by a deep commitment to art-making, his legacy is also defined by his role in pushing the boundaries of abstract art and inspiring future generations of artists. His work remains a testament to his technical skill, intellectual curiosity, and passion for exploring new dimensions in the visual world.
